Ode on a Grecian URL
Monday, October 24, 2005
A bit of practice
There're details below about a review session this Wednesday night.
If the practice exams these past two weeks haven't been enough, here're a few more samples to work with. (I'm trying to give both long and short sections, since I don't really know how long they will be on the actual exam. Also, since I don't know how to control indentation via HTML the poetry is all presented unindented--an exciting challenge!)
Remember, as you practice,
#1
#2
#3
#4
#5
#6
#7
#8
#9
If the practice exams these past two weeks haven't been enough, here're a few more samples to work with. (I'm trying to give both long and short sections, since I don't really know how long they will be on the actual exam. Also, since I don't know how to control indentation via HTML the poetry is all presented unindented--an exciting challenge!)
Remember, as you practice,
- to name the speaker (if there is one) or the persons or objects being spoken about
- to focus on contextualizing the passage within the larger text
- to describe how the passage reflects the larger themes and arguments of the text.
#1
Well hast thou said and holily dispraised
These shapings of the unregenerate mind;
Bubbles that glitter as they rise and break
On vain Philosophy's aye-babbling spring.
#2
Now, if nature be thus cautious in preserving in a state of enjoyment a being thus employed, the poet ought to profit by the lesson thus held forth to him, and ought especially to take care, that whatever passions he communicates to his reader, those passions, if his reader's mind be sound and vigorous, should always be accompanied with an overbalance of pleasure.
#3
. . . O Thou,
Who chariotest to their dark wintry bed
The winged seeds, where they lie cold and low,
Each like a corpse within its grave, until
Thine azure sister of the Spring shall blow
Her clarion o'er the dreaming earth, and fill
(Driving sweet buds like flocks to feed in air)
With living hues and odours plain and hill
#4
Such dim-conceived glories of the brain
Bring round the heart an undescribable feud;
So do these wonders a most dizzy pain,
That mingles Grecian grandeur with the rude
Wasting of old time--with a billowy main--
A sun--a shadow of a magnitude.
#5
They were just in time to see another figure standing against a pedestal near the reclining marble: a breathtaking blooming girl, whose form, not shamed by the Ariadne, was clad in Quakerish grey drapery; her long cloak, fastened at the neck, was thrown backward from her arms, and one beautiful ungloved hand pillowed her cheek, pushing somewhat backward the white beaver bonnet which made a sort of halo to her face around the simply braided dark-brown hair. She was not looking at the sculpture, probably not thinking of it: her large eyes were fixed dreamily on a streak of sunlight which fell across the floor.
#6
. . . And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air,
And the blue sky, and in the mind of man:
A motion and a spirit, that impels
All thinking things, all objects of all thought,
And rolls through all things.
#7
The great secret of morals is Love; or a going out of our own nature, and an identification of ourselves with the beautiful which exists in thought, action, or person, not our own. A man, to be greatly good, must imagine intensely and comprehensively; he must put himself in the place of another and of many others; the pains and pleasures of his species must become his own. The great instrument of moral good is the imagination; and poetry administers to the effect by acting upon the cause.
#8
Young love-making--that gossamer web! Even the points it clings to--the things whence its subtle interlacings are swung--are scarcely perceptible: momentary touches of finger-tips, meetings of rays from blue and dark orbs, unfinished phrases, lightest changes of cheek and lip, faintest tremors. The web itself is made of spontaneous beliefs and indefinable joys, years of one life towards another, visions of completeness, indefinite trust.
#9
[Someone] darted forward, and with supernatural force tore me from his father, to whose knees I clung: in a transport of fury, he dashed me to the ground, and struck me violently with a stick. I could have torn him limb from limb, as the lion rends the antelope. But my heart sunk within me as with bitter sickness, and I refrained.
:: posted by Mike, 11:15 PM